For my short film idea, I drew influence from the likes of ‘Kiss
Kiss Bang Bang’ and ‘Sin City’. The reason for such a strange mix of tone (Kiss
Kiss Bang Bang’s comedy and Sin City’s gritty look) is based on the content of
my film. It’s set in a gritty, crime ridden town where the inspiration from
‘Sin City’ is brought in yet the protagonist borrows more from ‘Kiss Kiss Bang
Bang’. The parallel’s come from his position and job. Detective Mathews is a
cop brought into a murder case and, while his voice and stoic attitude borrows
from Bruce Willis’ performance in ‘Sin City’, his deadpan performance and lack
of real understanding of his job comes from Harry Lockhart from ‘Kiss Kiss Bang
Bang’. I thought it would be interesting to see a character like him actually
be given a professional role in the world of crime prevention rather than just
being on the side lines.
It plays back the cliché idea of having the murderer be
among the people in the room however, instead of a long investigation, it works
with the unexpected and has the murderer cave into their guilt and
unceremoniously solve the case. The juxtaposition between the style and content
is what drove me to want to make the film. Detective Mathews, as the
protagonist, starts off the film with a parody of internal monologues that the
three protagonists of ‘Sin City’ deliver throughout the course of the film. The
aim of this is to point out the overuse of the cliché in such films as
‘Watchmen’ which also fits within the crime genre.
In terms of filming style and effects added in post-production,
the film would be black and white for two reasons. One is to capture the look
of the film noir genre such as ‘Strangers On A Train’ as well as the strong
presence of shadows similar to the works of John Alton (for example ‘The Big
Combo’). I looked at John Alton because he was a pioneer of cinematography in
the noir genre which seemed perfectly fitting for what I was planning. Looking
at his work also inspired me to try and recapture some artistic looking shots
that he has used in his films with the likes of ‘He Walked By Night’ coming to
mind.
To conclude, my film takes its style and film techniques
from the Noir genre, specifically the cinematography works of John Alton, and
combines it with a more comedic edge with the idea of broadening the style of
‘Kiss Kiss Bang Bang’ with a bit of ‘The Naked Gun’ in because of the similar
profession and running on the idea of giving power to bumbling people. The
shots would draw influence from the look of other films in the same genre as
well as using actor, prop and camera positioning to foreshadow who the murderer
is. This will also play into the comedy aspect with the murder itself being
very anticlimactic to the point that it wasn’t even a person killed, similar to
‘The Simpsons’ episode ‘Bart of Darkness’ which is shot like an Alfred
Hitchcock film, specifically ‘Rear Window’, to make it seem like Ned Flanders
is a murderer despite it turning out that it was just a plant.
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