Monday 21 March 2016

Moving Narratives 2: Evaluation

After being given the assignment and watching a few films, I actually had a hard time coming up with a feasible idea that I was content with. The only film that I found inspiration in initially was ‘Wrong’ as I enjoy making crime based films. It wasn’t until we watched ‘Down by Law’ that I finally found a film that sparked an idea for a short film that I could truly make well and feel happy with.

After my last film for Comparative Film Practices was a much more serious film, I wanted to get back to making more comedic based films that had a much more simple style to it. I wasn’t happy with how my Comparative Film Practices film turned out and I think the tone is largely to blame for this. The idea brewed from the concept of prisoners sharing a cell and all but one of them want to break out. The one left over preferred staying in prison due to having a terrible life outside. With this in mind, it snowballed into the final product very well as I managed retain the image from the inception of the idea to what was made.

In ‘Down by Law’, around a third of the film takes place inside a prison cell with only the main three protagonists being seen on screen. I loved the idea of this as it really made the audience feel enclosed in the cell too with only the prisoners to relate to. Jim Jarmusch’s style also appealed as he would set up the camera for long shots that lingered at a particular angle. To capture this style and keep the claustrophobic feel, I decided to have the camera stay in the exact same position throughout the film and shoot it as a long take.

What I found most interesting about this submission was how the idea almost completely changed when filming took place. Initially, there wasn’t much to look at since it wasn’t too deep. It was initially just two prisoners in jail. That was it. However, when I came up with the idea of playing all three characters with only one ever being physically seen, I realised it could work as a metaphor for a trapped mind. A person imagining themselves as their own companion locked up. The reason they would also act as the guard could be seen as self-doubt. It was quite a discovery when I realised this and I felt proud that there were a number of ways one could interpret my film.

Comparing this film to my previous submissions, I found this one the most experimental and actually quite risky. Because I played all three characters, I had to make sure I timed the dialogue perfectly or else there was a chance I could be left with long pauses of silence or the dialogue was too quick, giving no time to insert the voices of the characters off screen. It therefore made editing quite a challenge in order to make sure everything lined up correctly. This film relied heavily on the editing to make sure it made sense.

Despite being a seemingly simple idea, it actually took me a while to get the script off the ground. Because of the free form style of just following a person’s time in jail, it was hard to pin down a narrative which is when I tied in the idea about criminals wanting to break out with one wanting to stay behind. Ultimately, while I did have a script to follow, there were times during the shoot where I went off script and using improvisation to create new dialogue which I realised wasn’t a good idea for a film where I had to work off myself. In the long run, it worked out by recording the different character’s dialogue separately rather than try to tackle it in sequence.  

Something I wanted to explore too is being able to create distinct characters in a very short space of time. Only one is named (Terwilliger, who is named after Sideshow Bob’s real name from ‘The Simpsons’) as he is the only character seen on screen. The rest, despite not being named, are given varied personalities with the second prisoner being more cowardly and emotional than Tewilliger and the stern, loud and abrasive guard who watches over them. It would make for a much more interesting dynamic between the two characters if they had completely opposite personalities.

In fact, making sense was one of my biggest concerns. Unlike previous films which I was able to get the point across easily to the audience, I feared that this would leave the audience a bit confused. The moment that I felt this was most apparent was when the second prisoner is introduced. The first prisoner’s head is out of shot so I thought that it could interpreted that he was making the second prisoner’s noises. This is also the reason that I decided to perform a variety of voices for the characters to make them stand out more as well as get over the challenge of providing a voice only performance.

Something I realise in hindsight that is an issue with my film is the lighting. In the solo scenes, it is very effective as it highlights the single character and having his shadow on the wall is aesthetically pleasing. However, it doesn’t make sense when the other prisoner is introduced. His shadow is not seen on the wall which would mean that the light source is coming from the inside of the cell between the two characters. Originally, I set out with the idea of having the shadows of the prison bars going over the prisoners however I couldn’t get this done in time for the shoot. On the flipside, the isolated feel with the focus on a solo character made it feel more like a play which is an area in which I received my acting training. It felt good to convey my previous expertise.

One problem I had with the editing side of the project was that I actually had too much to fit into the running date allocated to us. Being long takes, I had almost half an hours’ worth of footage however that meant there was a lot that I had to cut out. The big problem here is that the final cut loses a fair bit of character development such as why the first prisoner is so desperate not to leave prison or even a trait that saw him singing prison songs every now and then. I’m almost tempted to create an extended cut just to have and to make me content with the project as a whole.

This is a film that I am not only very happy with but I’d actually be willing to remake someday. Not just reinterpret but outright remake scene for scene. The only things really letting me down are the camera and sound quality so if I had a full crew and actual actors to work off; it could easily be of a higher quality. While I will defend my choice to play all three characters, I do think it would’ve been easier to have someone else assist with filming. Although on the film side of this is that having no-one else around let me do much more improvisation which helped flesh out the characters much more.


In summary, I am proud with how my film turned out. It’s one of the only times where I felt I’ve nailed exactly how I initially envisioned my film to be. The camera was set up exactly how I had hoped, I managed to convey a sense of multiple characters despite playing them all myself and having the problem with not interacting with anyone when filming. It was a challenging film to make however I still had fun filming it. It was refreshing to take a break from more comedy based films with the last module however I think I’m better at that then the more serious kind of film. Hopefully down the line I can find a good compromise between the two but, so far, this submission is the closest I’ve gotten. It’s a dark, serious setting with unconventional conversations and awkward based comedic timing. I felt I was able to use both my skills as a filmmaker (due to the emphasis on editing and lighting) and an actor (playing multiple roles, most of which through voice) which, while not my initial aim, is something that I came to learn as the project went on. 

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