TOM
When looking at the
ending of The Graduate. The main aspect that stuck out to me was the
use of cinematography combined with acting. The most prominent shot
that shows this off is this one
Running shot
TOM
In a way, the camera is conveying the feeling of the
scene by making Ben (Dustin Hoffman) appear as if he is running on the
spot, going nowhere. It adds to the urgency of the scene as he runs to
make it to the wedding. Speaking of the wedding, the way the shot pans
towards the church makes the shot work out of context. Out of context,
you see a man struggling to run quickly towards a church. That's all
you need to understand the situation. In terms of acting, Dustin
Hoffman has to also convey the very same feeling as the camera through
the use of his body due to the lack of dialogue. Compared to the
previous shot, he is running much more vigorously with his focus locked
either straight ahead or towards the church.
TOM
This shot actually reminds of another film, Skyfall.
(Oh look I'm talking about Bond, how shocking). Skyfall sees the main
villain, Silva, debut using this technique as he tells a story for
character establishment. What's intriguing here is that, the shot
before shows the layout of the room from a different angle which
establishes how big this room is. We then see the aforementioned shot
and it feels like the room has become bigger. It's very effective as a
result. See, it's not just an excuse to talk about Skyfall...
TOM
In addition to the acting and cinematography, the use
of sound also caught my attention. The scene begins with 'Mrs Robinson'
by Simon and Garfunkel blasting triumphantly as Ben speeds towards the
church. However, The song begins to slow down and come to a stop
parallel to Ben's car stopping. The lack of music on wards you would
think would make the scene feel less dire but it the emptiness and
realism of the diegetic sound just makes it feel more ambiguous as to
whether he will make it or not. And what happens when he does? The
sound of a guitar is heard. How about when Elaine is watching her
family scolding Ben. She can't here them because her sub-conscious is
focused on what matters more, that being Ben crying out her name. As
the film comes to an end, the tone changes drastically. One would
think that it would be a happy ending as Ben reunites with Elaine and
can be together. Except it doesn't. Instead, the camera lingers on
their faces as they slowly begin to realise what they've done and how
their lives are going to pan out. All to the Sound of Silence. (Also I
liked the that this scene here fits the line in the song "People
talking without speaking".
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